Thank you for the praise of the photos.
You're not going to like the answer to your query, oh anoraked one ;P.
Both of these images were taken in Nikon RAW format (as opposed to JPEG). They come out of the camera at 3000x2000 pixels (6 megapixels) and all I did to both was increase the saturation of colours slightly, export to photoshop (I could have used any program, from irfanview, a free image manipulator/viewer, to photoshop) as an 8 bit colour TIFF format file (the images are 12 bit colour in RAW format), resize to 700 pixels wide and use a slight unsharpen mask (I have in-camera sharpening set at low for various reasons I won't go into). In all, about 20 seconds work apart from adding the copyright and the watermark.
That's it.
If I showed you the original, you wouldn't be able to tell the difference (the only one being the slight increase in colour saturation/intensity). These aren't cropped at all, i.e. they're the full original images, just resized.
Does that help?
From memory, the EXIF information for these images is as follows:
Camera: Nikon D70
Lens: AF 60 mm f/2.8 D "micro"
Camera Mode: Manual (i.e. I set the aperture and shutter speed myself)
Focal length: 60 mm (not much of a choice...)
ISO equivalent speed: ISO 200
Shutter Speed: 1/200th of a second
Aperture: f/14 (playing off depth of field versus the optimal sharpness/contrast performance aperture of the lens)
Flash: Yes, built-in camera flash only
Flash Exposure Compensation: -0.3 eV (I probably should have used -0.7 : I don't like the flash reflection to be quite so obvious)
Exposure Compensation: 0 eV - the camera's metering is quite good for scenes like this.
Pretty good memory, huh? Make a good post doc wouldn't I (sorry, just kidding). That's all of the relevant info I think.
If I had had the time I would have used an off camera flash, but right now my flashgun will only work in manual mode with the D70 and I was pushed for time. When the budget exists I will probably buy one of those brand new Nikon SB-800 Flashguns and an SC-17 off camera flash cable for it.
I'm sure that's too much information
.
To my own credit (blows own trumpet), I am pretty skilled at the macro photography of newts, having had years of experience. These photos were taken in a rush too because I was afraid the youngster would move away before I got my camera out. I find the photography of newts and salamanders
out of the water is what our American friends would call a (relative) cake-walk. The main problems are minimising reflections and getting the exposure right. Photography behind glass is more problematic and I admit to getting mixed results some times.
That's enough for now!
-John